Allora & Calzadilla Confront Puerto Rico’s Fraught Relationship with the US
Hyperallergic - Art Review - October 26, 2017 It begins with oranges. Shortly after the United States acquired Puerto Rico from Spain,...
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Delicate Paintings from Drag Icon Vaginal Davis Meet Monumental Sculpture From Louise Nevelson
Hyperallergic - Art Review - October 10, 2017 Chimera was first used by the ancient Greeks to describe a mythological, multi-headed,...
Book Review: Marie Darrieusecq: Being Here is Everything, The Life of Paula M. Becker
Brooklyn Rail: Art Books - October 5, 2017 The portrait’s subject, a young woman with a snub nose in three-quarter profile, stares back...
Ali Banisadr: Trust in the Future at Sperone Westwater
Brooklyn Rail - Art Review - July 14, 2017 A convergence of influences is at play across painter Ali Banisadr’s body of work. In writing...
Witnessing the Female Gaze in Susan Meiselas’s 1970s Street Photos
Hyperallergic - Art Review - May 25, 2017 Before Susan Meiselas, as a freshly minted member of Magnum Photos, traveled to Nicaragua at...
Drawing on Firsthand Experience to Depict the Horrors of Hurricane Katrina
Hyperallergic - Art Review - April 21, 2017 Even after 12 years, the specter of Hurricane Katrina still hovers over the American psyche....
An Impulse Towards Narrative: Agnès Varda at Blum & Poe
artcritical - Art Review - April 11, 2017 No matter what medium she is working in, artist and filmmaker Agnès Varda’s gift has always...
Alice Neel's Uptown at David Zwirner
Degree Critical - Art Review - April 6, 2017 American artist Alice Neel’s early adult life was marked by a series of traumas. In her...
Romare Bearden: Bayou Fever and Related Works at DC Moore Gallery
Brooklyn Rail - Art Review - April 1, 2017 For the artist Romare Bearden—born in 1911 in Mecklenburg County, North Carolina—the American...
Katharina Gross: Color and Dimension Unbound
Degree Critical - Art Review - March 14, 2017 German painter Katharina Grosse has become renowned for her physical painting techniques....
Pipes Stream Poetry in an Interactive Response to Flint’s Water Crisis
Hyperallergic - Art Review - March 2, 2017 Lead poisoning can stunt my growth / And mess with my mind / We would like help if you don’t...
The Passionate Art of LGBTQ Prisoners in the US
Hyperallergic - Art Review - December 2016 One of the two hands thrust through the bars clutches a pencil, and the wrist sports the...
Caitlin Keogh: Loose Ankles at Bortolami
Brooklyn Rail - Art Review - November 1, 2016 Across the board, Caitlin Keogh’s work appears at first formally sound and visually...
Vintage Postcards for the Apocalypse: David Opdyke at Magnan Metz Gallery
Hyperallergic - Art Review - October 14, 2016 In a profile of journalist Tony Schwartz by Jane Mayer in a July issue of the New Yorker,...
Faith and Formalism: Rachel Harrison at MoMA
artcritical - Art Review - May 21, 2016 In 2000, a miracle occurred in the blue-collar town of Perth Amboy, New Jersey. On a window of...
Tim Hawkinson: Counterclockwise at Pace Gallery
Brooklyn Rail - Art Review - April 6, 2016 What strikes first upon entry to Pace Gallery on West 24th Street is the persistent thrum of...
The Kinetics of Stillness: Maria Hassabi at MoMA
Degree Critical - Art Review - April 5, 2016 On a recent Saturday morning at the Museum of Modern Art, I witnessed a witnessing. Looking...
Sue Williams at 303 Gallery
Brooklyn Rail - Art Review - April 1, 2017 In the early days of Sue Williams’s career, her work frequently centered on male violence...
America is Hard to See: David Hammons at Mnuchin
artcritical - Art Review - March 24, 2016 “Prankster” is a word that comes up repeatedly in discussions of artist David Hammons and his...
Nona Faustine: White Shoes at Smack Mellon Gallery
Brooklyn Rail - Art Review - March 4, 2016 Ralph Eugene Meatyard, a married father of three children, was an optician who lived and...
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