Noah Davis
Brooklyn Rail - Art Review - January 16, 2020 When artist Noah Davis succumbed to cancer in 2015 at the age of 32 he left behind an...
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Pope.L: Instigation, Aspiration, Perspiration
Brooklyn Rail - Art Review - December 21, 2019 800 gallons of water is an abstract concept, until you see its volume cascade before your...
The Return of Tom Doyle: Cultivating Movement From Ligneous Substances
Brooklyn Rail - Art Review - September 18, 2019 The Return of Tom Doyle signals an attempt to resurrect the career of a sculptor who in...
Forms Larger and Bolder: Eva Hesse Drawings from the Allen Memorial Art Museum at Oberlin College
Brooklyn Rail - Art Review & Feature - September 2019 To view drawings from an artist’s archives is to engage in an intimate encounter....
Hito Steyerl: Drill at Park Avenue Armory
Degree Critical - Art Review - July 12, 2019 The three-channel film installation that sits as the centerpiece of Hito Steyerl’s...
Joan Miró: Birth of the World at MoMA
Brooklyn Rail - Art Review - May 2, 2019 “Peaceable contentment, untroubled by any curiosity, is a tangible sign of the insupportable...
Book Review: “The Art of Feminism: Images that Shaped the Fight for Equality 1857-2017”
in Woman’s Art Journal (vol. 40, no. 1, Spring/Summer 2019) 62-63. Chronicle Books (October 23, 2018) https://www.amazon.com/Art-Feminism...
Life on Mars: Nancy Graves and Mary Beth Edelson
Degree Critical - Art Review - March 29, 2019 In 1974, the United States fissured metaphorically, divided in so many ways by an...
Bacon’s Women at Ordovas Gallery
Brooklyn Rail - Art Review & Feature - December 20, 2018 Francis Bacon, the indomitable twentieth-century painter whose gritty and...
Rona Pondick Works: 2013–2018 at MARC STRAUS
BOMB Magazine - Art Review - December 3, 2018 A smooth, oblong head, encased in what appears to be a viscous substance, struggles to...
John Bock: Dead + Juicy at Anton Kern Gallery
Brooklyn Rail - Art Review - November 26, 2018 Entering John Bock’s current exhibition, Dead + Juicy, provokes an immediate and profound...
Sarah Lucas: Au Naturel at the New Museum
Degree Critical - Art Review - October 12, 2018 Brash. Edgy. Rude. Badass. These are just a few of the words frequently used to describe...
The Un-Heroic Act: Representations of Rape in Contemporary Women’s Art
Brooklyn Rail - Art Review - September 22, 2018 At the entrance to The Un-Heroic Act: Representations of Rape in Contemporary Women’s...
Marilyn Lerner: Walking Backward Running Forward at Kate Werble Gallery
Brooklyn Rail - Art Review - September 16, 2018 The music hits you as you walk through the door of Kate Werble Gallery, where Walking...
Jorinde Voigt: Integral at David Nolan Gallery
Brooklyn Rail - Art Review - June 5, 2018 Berlin-based artist Jorinde Voigt is recognized for the luminosity of her cerebral, abstract...
Outrageous Fortune: Jay DeFeo and Surrealism at Mitchell-Innes & Nash
Brooklyn Rail - Art Review & Feature - April 4, 2018 In dream analysis, it’s said that the familiar nightmare of one’s teeth falling out...
Thornton Dial: Mr. Dial’s America at David Lewis Gallery
Brooklyn Rail - Art Review - March 5, 2018 History is made up of layers. The present, like a creeping vine, overtakes the past and...
Käthe Kollwitz & Sue Coe: All Good Art is Political at Galerie St. Etienne
Brooklyn Rail - Art Review - February 7, 2018 A woman, face blemished with grime, sleeps in a half-sitting position, her head propped in...
Hiroshi Sugimoto: Gates of Paradise at the Japan Society
Brooklyn Rail - Art Review - December 13, 2017 Gates of Paradise opens with an image of one of the Hiroshi Sugimoto’s signature subjects,...
Hidden Histories: Mary Kelly: The Practical Past
BOMB Magazine - Art Review - November 15, 2017 “The personal is political,” a phrase popularized by the writer and activist Carol Hanisch...