“Surface, Support, Process: The 1960s Monochrome" at the Guggenheim Museum

Degree Critical - Art Review - Winter 2012

Robert Mangold. 1/3 Gray-Green Curved Area (1966); oil on Masonite, 48 x 84 inches. Courtesy of the Solomon R. Guggenheim Museum.

It was a one-colored world on the Upper East Side this winter. While Luxembourg & Dayan extended their popular exhibition Grisaille, featuring works executed mainly in gray, the Guggenheim Museum of Art hosted an exhibition similar in theme, though divergent in execution. Surface, Support, Process: The 1960s Monochrome in the Guggenheim Collection, showcased ten works from the museum’s permanent collection.

Read more: https://artwriting.sva.edu/journal/post/fallback-friday-surface-support-process