Brooklyn Rail - Art Review - January 16, 2020
When artist Noah Davis succumbed to cancer in 2015 at the age of 32 he left behind an ambitious body of work. A studio of paintings revealed a flourishing artist already making preternaturally mature work, while a self-conceived exhibition space in Los Angeles, the Underground Museum, attested to the spirit of a social maverick. Rather than being overtly political, Davis’s politics were instead baked into a nuanced and sophisticated body of work.
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